15 April — 25 April, 2026

Opening Night: 15 April, 18:00 - 00:00
Fair Hours: 16 - 25 April, 12:00 - 00:00

cam.contemporarie is pleased to participate in mega art fair and present the work of Milan based artist, Giuditta Vettese, London based artist, Amrit Singh Sandhu, and Chicago and London based artist, zakkiyyah najeebah dumas-o’neal.

Spanning across illustration, sculpture, and photography, these three artists explore the poetics of the mundane and intimacy, by pushing the confines of the image and its subject matter. Singh Sandhu’s vibrant drawings, inspired by familial archival portraits and domestic interiors, present contemporary still life moments, as seen in Thinking About My Parent’s New Curtains, which position her family’s curtains alongside the fragmented memory of what lies on the opposite side of the window in this dual-illustration. In her gestural photographic sculpture, a sense of glad awakening, dumas-o’neal explores new ways to display collage, often splicing, then rearranging her own film photography of soft, detailed fleeting moments and objects, to personify a feeling. Vettese brings a classical transformation to the notion of the “peephole,” in an intimate snapshot, Two Snakes Making Love. The tension between nature and the erotic, spills through onto the marble medium itself, where the image, positioned between the peephole, is able to be viewed and displayed two ways, stripping away any hierarchy of the work and the snake itself, in a singular merging.

Fair Presentation

Giuditta Vettese

Photo Credit: Alecio Ferrari

Giuditta Vettese (1994) was born in Milan, where she lives and works. She graduated in Aesthetic Philosophy (University of Milan – Paris Sorbonne) and then completed a two-year Master's degree in Philosophy and Anthropology (EHESS, Paris). Her academic research initially focused on the theme of the gaze between psychoanalysis and phenomenology, before delving deeper into the relationship between trauma, the body and spiritual experience. Working across sculpture, performance and abstract painting, her artistic practice is an investigation in which sensoriality, matter and psychic energy converge. She conceives corporeality as a fundamental medium for processes of knowledge and evolution, while seeking to translate the philosophical concepts that have shaped her academic career into forms and volumes.

She co-founded Provinciale11, a collective artistic and curatorial research project which, in dialogue with academic scholars, promotes residencies for emerging artists in Italy through public funding. Her work has recently been shown at Basilica Palladiana, Vicenza (2025); Triennale Milano (2025); Fanshaw Projects, London (2025); CMQ Architettura, Milan (2025); Guts Gallery, London (2024); The Broken Arm, Paris (2024); Spazio Volta, Bergamo (2023); Galleria Rossana Orlandi (2023); and ReaFair, Fabbrica del Vapore, Milan (2023).

Learn more about Giuditta Vetesse here.

zakkiyyah najeebah dumas-o'neal

Photo Credit: Jordan Campbell

zakkiyyah najeebah dumas-o'neal is a Chicago-born, London-based visual artist working across video, photography, installation, and sound. Her work engages with Black femme perspectives and embodies ways of knowing via her own photographic engagements and appropriating archival visual materials. She’s concerned with histories of the camera, poetics, chance encounters, and queer beingness.

Her work has been presented in various forms at Museum of Contemporary Art Chicago, NADA Art Fair, The Art Institute of Chicago, Chicago Humanities Festival, Centre Pompidou, DePaul University, EXPO Chicago, and Harvard Graduate School of Design to name a few. She was a Villa Albertine Laureate Awardee for the ChicagolandSeen Commission in (23'), an Artist in Residence with the Camargo Foundation, FR (24'), and more recently a Mona Hatoum Foundation Scholar, UK (25-26'). Her work is represented in both private and public collections, including the Block Museum at Northwestern University and Eskenazi Museum of Art. She is currently a MA Fine Art candidate at Central Saint Martins, University of the Arts London.

Learn more about zakkiyyah najeebah dumas-o'neal here.

amrit singh sandhu

Photo Credit: zakkiyyah najeebah dumas-o'neal

Amrit Singh Sandhu’s (b. 1997) practice merges the worlds of painting and fashion/modelling, working predominantly with oil and water-based pigments, found textiles and embroidery. Born and raised in Punjab, she attained a Bachelor of Fine Arts at Pratt Institute, New York in 2020, and is currently living/working in London.

Trained as an oil painter, her work embarks on a metamorphic journey through which the shaping of new forms and visual meanings simulates her own personal adapting to changing environments. Relocating herself indefinitely, her practice is concerned with forming links between her dual vocational pathways. Recent works range from playing with stretched canvases in the studio to making wearable-portable paintings in the form of various garments. The invented characters in her paintings encounter a liberation from their conventional standpoints as they enter new realms of mobility, versatility and significance parallel to the intuitive material experiments themselves.

Sandhu's heritage grounds the base for her curiosities. Looking back in time in a performance of introspection, nostalgia becomes layered with new gatherings of knowledge and experience in foreign yet familiar cultures. Discovering new homes as she travels through life, Sandhu uses old and new family photos as guides, the echoes of which - met with a child-like sensitivity - mould new imaginative beings and spaces distorted and coloured.

Sandhu's work has been auctioned at Bonhams, London and included in their recent exhibition You Also Live In Someone's Eyes (2025). Press coverage includes Vogue and Verve Magazine.

Learn more about Amrit here.

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